18, డిసెంబర్ 2010, శనివారం
5, డిసెంబర్ 2010, ఆదివారం
AMdhra bhArati - itihAsamulu - viShaya sUchika - AndhramahAbhAratamu - kavitraya bhaaratamu - pOtana bhAgavatamu - andhrabhagavatamu - pothana bhagavatamu - nannaya tikkana errana - molla rAmAyaNamu - mollaramayanamu ( telugu andhra telugu literature andhra literature )
AMdhra bhArati -
Telugu Kavulaku swagatham
Telugu Kavulaku swagatham
Telugu Initiative at the University of California, Berkeley
Telugu Kavulaku swagatham
4, డిసెంబర్ 2010, శనివారం
Satyam Sivam Sundaram: చాటువులు - chatuvulu
దురదాం గోకడం చైవప్రస్తుతం సుఖమేవ చతరువాత మంటా ప్నోతిఇత్యైవ దురద లక్షణం
Telugu Kavulaku swagatham
28, నవంబర్ 2010, ఆదివారం
27, నవంబర్ 2010, శనివారం
అల్లసాని పెద్దన్న రచనా విదుష్యం
అల్లసాని పెద్దన్న రచనా విదుష్యం
వినాయక ప్రార్ధన
నర్మగర్భంగా వరూధిని పలుకులు
ప్రవరుడు వరూధినిని తిరస్కరించుట
వినాయక ప్రార్ధన
అంకముజేరి శైలతనయాస్తన దుగ్ధములానువేళ
బా ల్యాంకవిచేష్ట తొండమున అవ్వలిచన్‌ కబళింపబోయి
ఆ వంక కుచంబు గాన కహివల్లభహారము గాంచి వే మృణా
ళాంకురశంక నంటెడు గజాస్యుని కొల్తు నభీష్టసిద్ధికిన్‌
హిమాలయ వర్ణన
అటజనికాంచె భూమిసురు డంబరచుంబి శిర స్సర జ్ఝరీ
పటల ముహుర్ముహు ర్లుఠ దభంగ తరంగ మృదంగ నిస్వన స్ఫుట
నటనానుకూల పరిఫుల్ల కలాప కలాపిజాలమున్‌
కటకచరత్‌ కరేణు కర కంపిత సాలము శీతశైలమున్‌
నర్మగర్భంగా వరూధిని పలుకులు
ఇంతలు కన్నులుండ తెరువెవ్వరి వేడెదు భూసురేంద్ర ఏ
కాంతమునందునున్న జవరాండ్ర నెపంబిడి పల్కరించు లా
గింతియ కాక నీవెరుగవే మునువచ్చిన త్రోవచొప్పు నీ
కింత భయంబులే కడుగ నెల్లిదమైతిమె మాటలేటికిన్‌
ప్రవరుడు వరూధినిని తిరస్కరించుట
ప్రాంచద్భూషణ బాహుమూలగతితో పాలిండ్లుపొంగార పై
యంచుల్‌ మోవగ కౌగిలించి యధరంబాసింప హా శ్రీహరీ
యంచున్‌ బ్రాహ్మణు డోరమోమిడి తదీయాంసద్వయం బంటి పొ
మ్మంచున్‌ ద్రోచె కలంచునే సతులమాయల్‌ ధీరచిత్తంబులన్‌
24, నవంబర్ 2010, బుధవారం
అక్షర మోహనం
రెండు కట్టెలు ..
యథా కాష్టా౦చ కాష్ట౦చ
సరుయేతాం మహోదదే
సమత్వ చవ్యపే ఏతాం
తద్యద్భూత సమాగ మమ్.
''సముద్రంలో కొట్టుకొస్తున్న రెండుకట్టెలు తడిసి ,
ఒకదానికి ఒకటి అంటుకుపోతాయి. అలా, కొంత దూరం
జంటగా వెళ్ళాక, అలల తాకిడికి, విపరీతమైన గాలికి ,
అవి మళ్ళీ విడిపోతాయి. ఒకటికిఒకటి దూరమై మళ్ళీ కలసుకోవు.సరుయేతాం మహోదదే
సమత్వ చవ్యపే ఏతాం
తద్యద్భూత సమాగ మమ్.
''సముద్రంలో కొట్టుకొస్తున్న రెండుకట్టెలు తడిసి ,
ఒకదానికి ఒకటి అంటుకుపోతాయి. అలా, కొంత దూరం
జంటగా వెళ్ళాక, అలల తాకిడికి, విపరీతమైన గాలికి ,
27, అక్టోబర్ 2010, బుధవారం
24, అక్టోబర్ 2010, ఆదివారం
మీకు తెలుసా:
మీకు తెలుసా:
మన జీవన విధానం ఆదునికత్వం తో మారిపోతున్నది మన తల్లి తండ్రులు జీవించిన జీవితం మనం జీవిస్తున్న జీవనం ఎంతో మార్పు వస్తే యీప్పుడు మేన పిల్లలు ఇంకా ఎంతో మార్పు కలిగి వున్నారు. క్రొత్త క్రొత్త పరికరాలు సాధనాలు వస్తు మన జీవన శైలిని పూర్తిగా మర్చి వేస్తున్నాయీ. మీకు క్నోచం జ్ఞాపకం చేయాలనీ కొన్ని పాదాలను ఇస్తున్నాను మీ పిల్లలకి ఇవి తెలుసో లేదో కన్నుక్కోండి.
౧.విసుర రాయి లైక తిరుగలి,
౨.రోలు పొత్రం, రోకలి, రోకలిబండ,
౩.కవ్వం, వుట్టి, బాన,దాలి,
౪.విసునకర్ర
౫.కుంపటి, పోయ్యీ, పొట్టు పోయీ,
22, అక్టోబర్ 2010, శుక్రవారం
Tyaga Raju
Kakarla Tyagabrahmam, colloquially known as Tyāgarāja ( May 4, 1767 - January 6, 1847) and Tyagayya was one of the greatest composers of classical carnataka music He, along with his contemporaries , forms the Trinity of carnatac music. He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja composed thousands of devotional compositions, most of them in praise of Lord Rama. His compositions remain very popular even today. Of special mention are five of his compositions called thePancharatna krithis(English: 'five gems'), which are often sung in programs in his honour.
Tyagaraja was born in 1767 in Tiruvaur, a small town in the Thanjavur district of Old Madras State, He hails from Telugu Brahmin family Kakarla Ramabrahmam and Sitamma were parents of Tyaga Raju He was named Tyagaraja, after Lord Tyagaraja, the presiding deity of the temple at tiruvarur. Tyagaraja was born at his maternal grandfather Giriraja Kavi's house he was a poet-composer in the court of the king of Tanjavur.
A few years later, Sonti Venkataramanayya invited Tyagaraja to perform at his house inThanjavur.. On that occasion, Tyagaraja sang Endaro Mahanubhavulu.Tyagaraja began his musical training under Sonti Venkataramanayya, a noted music scholar, at an early age. He regarded music as a way to experience God's love. His objective while practising music was purely devotional, as opposed to focusing on the technicalities of classical music. He also showed a flair for composing music, and, in his teens, composed his first song Namo Namo Raghavayya in the Desika Todiragam, and inscribed it on the walls of the house.
Tyagaraja was born in 1767 in Tiruvaur, a small town in the Thanjavur district of Old Madras State, He hails from Telugu Brahmin family Kakarla Ramabrahmam and Sitamma were parents of Tyaga Raju He was named Tyagaraja, after Lord Tyagaraja, the presiding deity of the temple at tiruvarur. Tyagaraja was born at his maternal grandfather Giriraja Kavi's house he was a poet-composer in the court of the king of Tanjavur.
Personal life and background
Tyagaraja was married at a young age to Parvatamma, who died shortly afterwards. He then married Kamalamba and they had a daughter named Sitalakshmi. Tyagaraja died on January 6, 1847.
Musical career
A few years later, Sonti Venkataramanayya invited Tyagaraja to perform at his house inThanjavur.. On that occasion, Tyagaraja sang Endaro Mahanubhavulu.Tyagaraja began his musical training under Sonti Venkataramanayya, a noted music scholar, at an early age. He regarded music as a way to experience God's love. His objective while practising music was purely devotional, as opposed to focusing on the technicalities of classical music. He also showed a flair for composing music, and, in his teens, composed his first song Namo Namo Raghavayya in the Desika Todiragam, and inscribed it on the walls of the house.
the fifth of the Pancharatna Kirthanalu. Pleased with Tyagaraja's composition, Sonti Venkataramanayya informed the King of Thanajavur about Tyagaraja's genius. The king sent an invitation, along with many rich gifts, inviting Tyagaraja to attend the royal court. Tyagaraja, however was not inclined towards a career at the court, and rejected the invitation outright, composing another gem of a kriti, Nidhi Chala Sukhama (English: "Does wealth bring happiness?") on this occasion. Angered at Tyagaraja's rejection of the royal offer, his brother threw the statues of Rama, Tyagaraja used in his prayers into the nearby Kaverii river. Tyagaraja, unable to bear the separation with his Lord, went on pilgrimages to all the major temples in South India and composed many songs in praise of the deities of those temples.
In addition to nearly 600 compositions (kritis), Tyagaraja composed two musical plays in Telugu, the Prahalada Bhakti Vijayam and theNauka Charitam. Prahlada Bhakti Vijayam is in five acts with 45 Kritis set in 28 ragas and 138 verses, in different metres in Telugu. Nauka Charitam is a shorter play in one act with 21 kritis set in 13 ragas and 43 verses. The latter is the most popular of Tyagaraja's operas, and is a creation of the composer's own imagination and has no basis in the Bhagavata Purana.
Often overlooked is the fact that Tyagaraja's works are some of the best and most beautiful literary expressions in Telugu language. Valmiki composed the Ramayana, the story of Rama, with 24,000 verses and incidentally Tyagaraja also composed 24,000 kritis in praise of the lord.
K.V.Ramachandran, a well-known 20th-century Indian music critic, wrote: "Thyagaraja is an indefatigable interpreter of the past...but if with one eye he looks backward, with the other he looks forward as well. Like Prajapati, he creates his own media and adores his Rama not alone with jewel-words newly fashioned, but also with jewel-[like]-music newly created. It is this facet of Thyagaraja that distinguishes him from his illustrious contemporaries." In other words, while Tyagaraja's contemporaries were primarily concerned with bringing to audiences the music of the past, Tyagaraja did the same, whilst pioneering new musical concepts at the same time.
Remembrance
Tyagaraja Aradhana, the commemorative music festival is held every year atThiruvaiyaru in the months of January to February in Tyagaraja's honour. This is a week-long festival of music where various Carnatic musicians from all over the world converge at his resting place. On the Pushya Bahula Panchami, thousands of people and hundreds of Carnatic musicians sing the five Pancharatna Kritis in unison, with the accompaniment of a large bank of accompanists on violins, flutes, nagasvarams, mridangams and ghatams.
Popular culture
Films on Tyagaraja (Biographical)
As the most famous composer of Telugu kritis or (kirtanas), Tyagaraja who is fondly remembered as Tyagayya, has caught the imagination of various film makers in the Telugu film industry. Apart from references to his works, using the kirtanas as songs; two films were made on his life. The legendary Chittor V.Nagaiah, made a biographical epic on Tyagaraja titled "Tyagayya" in 1946 which is still treated as a masterpiece of Telugu cinema. Nagayya's rendition of "Endaro Mahanubhavulu" and its picturisation is treated as a matchless classic even today. Later, Bapu - Ramana made Tyagayya in 1981 with J.V.Somayajulu in the lead role. Another attempt is being made by singeetam Srinivasa Rao to picturise the life of Tyagaraja...
[edit]Tyagaraja's compositions
| Kriti | Raga | ||
|---|---|---|---|
| 1 | Dudukugala | gowla | Pancharatna Kirthana |
| 2 | Sadhinchane | Arabi | Pancharatna Kirthana |
| 3 | Kana Kana Ruchira | varAli | Pancharatna Kirthana |
| 4 | Endaro mahAnu bhAvulu | sri | Pancharatna Kirthana |
| 5 | Jagadanandakaraka | Nattai | Pancharatna Kirthana |
| 6 | SogasugA Mridanga | sri ranjani | |
| 7 | EnAti nOmu palamO | Bhairavi | |
| 8 | SAmaja Vara GamanA | hindoLam | |
| 9 | Nagumomu | Abheri | |
| 10 | Telisi rama | pUranachandrikA | |
| 11 | ManasA YeturlO | malaya mArutham | |
| 12 | Raga Sudha Rasa | AndOlika | |
| 13 | Vandhanamu raghu nandanA | sahAna | |
| 14 | Bantu Reethi Kolu | HamsanAdam | |
| 15 | Teliya LEru RAmA | dhenuka | |
| 16 | Sompaina Manasutho | Ahiri | |
| 17 | Baagyenayya | chandrajyoti | |
| 18 | Mari Mari Ninne | kAmboji | |
| 19 | Sri Rama PAdamA | amruthavAhini | |
| 20 | MOkshamu Galadha | sAramati | |
| 21 | ShObillu Sapthaswara | jaganmOhini | |
| 22 | EthAvunarA | kalyANi | |
| 23 | Amba Ninnu | Arabi | |
| 24 | Sundari Ninnu | Arabi | |
| 25 | Naamoralanu | Arabi | |
| 26 | Juthamurare | Arabi | |
| 27 | Nadasudha rasa | Arabi | |
| 28 | O rajeevaksha | Arabi | |
| 29 | Adukuvaramula | Arabi | |
| 30 | Ipudaina nannu | Arabi | |
| 31 | Ninne nera namminanu | Arabi | |
| 32 | O rama rama | Arabi | |
| 33 | RAma PAhi MEgha | kApi | |
| 34 | Nagumomu Galavani | madhyamavati | |
| 35 | Nada Tanumanisham | chitharanjani | |
| 36 | Dasaratha Nandana | asAveri | |
| 37 | HecharikagA RArA | yadukula kAmboji | |
| 38 | Ra Rama Inti Daka | asAvEri | |
| 39 | Tulasi DaLa | mayAmAlava goula | |
| 40 | SogasujUda Tharama | kannaDagowLa | |
| 41 | SEthamma MAyamma | vasanthA | |
| 42 | PAhimAm HarE MahAnu | sowrAshtram | |
| 43 | RAnidhi RAdhu | maNirangu | |
| 44 | Odanu JaripE | sArangA | |
| 45 | Niravathi Sukadha | ravi chandrika | |
| 46 | paralOka bhayamu | mandAri | |
| 47 | dayaseyavayya | yamunA kalyAni | |
| 48 | nArAyana hari | yamunA kalyAni | |
| 49 | rAma rAma | yamunA kalyAni | |
| 50 | vidhichakradula ku | yamunA kalyAni | |
| 51 | haridAsulu vEdulu | yamunA kalyAni | |
| 52 | abhimAnamu lEdhEmi | AndhAli | |
| 53 | kAla haraNa mElarA harE | sudha sAveri | |
| 54 | raghu nAyakA | hamsadwani | |
| 55 | abhishta varadA | hamsadwani | |
| 56 | sri raghukula | hamsadwani | |
| 57 | adamOdi gala | chArukEsi | |
| 58 | yentha vEduko | saraswathi manohari | |
| 59 | lIla gAnu jUcE | dundhubi | Only kriti in this raga |
| 60 | nanu kanna thalli | sindhu kannada | |
| 61 | ninnE bhajana | nAttai | |
| 62 | rAjuvEdale | todi | |
| 63 | ArAgimpavE | todi | |
| 64 | evari mAta vinnAvo | kambhoji | |
| 65 | Sara sama dana | Kapi Narayani | |
| 66 | Maa Janaki | Khamboji | |
| 67 | Nija Marmamulanu | Umabharanam | |
| 68 | Cakkani Raja | Khara Harapriya | |
| 69 | Narada Gana Lola | Atana | |
| 70 | Evaru Vunnaru Brovava | Malavasri | |
| 71 | Seethapathe Na Manasuna | Khamas | |
| 72 | yOchana kamala lOchana | durbAr | |
| 73 | parAsakti manu | sAveri | |
| 74 | Manasaa Sri Rama Chandruni | ishamanohari | |
| 75 | Emidova Balkuma | sArangi | |
| 76 | Kaluguna Pada Neeraja Seva | pUraNalalithA | |
| 77 | anurAgamulE | saraswathi(64) | |
| 78 | nidhi chAla | kalyANi(65) | |
| 79 | gandhamu puyyarugA | punnAgavarALi | |
| 80 | vara lIla gAna lOlA | shankaraBharaNam(29) | |
| 81 | raminchuvAr evarurA | supOshini(28) | |
| 82 | sArasa nEtra | shankarAbharaNam(29) | |
| 83 | Manavyalakincharathate | nalinAkAnthi | |
| 84 | KshIrasagara sayanA | dEvagAndhari | |
| 85 | kolivaiunnAdE | dEvagAndhari | |
| 86 | vinaradana manavi | dEvagAndhari | |
| 87 | karuna samudra | dEvagAndhari | |
| 88 | sItAvara sangIta | dEvagAndhari | |
| 89 | maravakurA | dEvagAndhari | |
| 90 | namoralakimpa | dEvagAndhari | |
| 91 | eavaru manaki | dEvagAndhari | |
| 92 | palaya sri raghuvara | dEvagAndhari | |
| 93 | sri thulasamma | dEvagAndhari | |
| 94 | tanaloni dayaninchi | dEvagAndhari | |
| 95 | marugElarA O rAghavA | jayantashree | dEshaadi tALam |
| 96 | Dwaitamu sukama | rIthigowlai | |
| 97 | evariccirirA sharacApamu | madhyamavati | |
| 98 | vara lEla gANa lOlA | shankarAbharaNam | |
| 99 | DhyAnamE varamaina | dhanyAsi | |
| 100 | sangeetha gnAnamu | dhanyAsi | |
| 101 | aparadamula nOrva | rasALi | |
| 102 | ganamurthe | ganamurthi | |
| 103 | ksheerasagara sayana | dEvagAndhAri | |
| 104 | shri thulasammA | dEvagAndhAri |
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